deep, hypnotising atmospherics driven by incredibly effective broken rhythms. man band are proud to present twoman (konrad wehrmeister & jakob hohmann)

(180 gr, purple/pink/white marbled coloured vinyl) morning star is a combination of the sound of the congos and the pura vida sound. it features 6 new congos songs, 3 songs from pura vida and a dubversion called dub love. the album has the vintage lastark sound and was mixed the oldschool way using the mixer as an instrument.

the unstoppable most excellent unlimited charges ahead with the ninth in the heralded mr. k 45s edits series, with this latest edition the most intriguing to date. deep in danny krivit s voluminous collection is a 7-inch acetate rescued from the records left behind by master mixer and dj walter gibbons when he passed away in 1994. the mysterious plate, simply labeled -1, 2, 3,- was custom cut by gibbons for his personal use in the early 70s when he and a partner operated a service called melting pot sounds that provided one-off copies of otherwise unobtainable imports for nyc disc jocks. most of the 20-odd known releases on melting pot sounds have been identified, but the true provenance of -1, 2, 3- has remained elusive. the tune is a screaming, instrumental disco delight, with aggressive clavinet riffing broken up periodically by raunchy sax. for this most excellent unlimited issue, mr. k meticulously transferred his unique gibbons acetate and further intensified the already propulsive track with a few choice edits of his own. not to be outdone, the flip side focuses on a ferocious percussion break that has previously only been available on a very poor quality 12-inch single. -sweet summer suite- by love unlimited orchestra has long been noted for its intro, a concoction of conga, cowbell, cuica and cabasa that drives dancers wild with its relentless, intense groove underpinned by a booming bass slide. making its 7-inch debut here, the groove has been extended and teased as only a master could do, complimenting the a-side and creating a powerful dj weapon. as always, this most excellent unlimited single has been mastered and pressed to the highest standards with loud dj usage in mind, and will be available in extremely limited quantities

this time around, greta cottage workshop indulges in a favourite pastime. dubbed out 10” vinyl. flashback of time: a haunting dub techno peregrination . . . giving you that grind it out happening, with your nearest grubby basement/dub rig interface. big inside the ride. utopia & visions: more of a ‘sunday morning, yet i’m not in bed’ experience - replete with laughing children, alien windstorms and dmt pixies chattering in your third earhole. waste a whole day with two copies and a crusty old mixer. specifically niche music for specifically niche people. keep smiling. rdma has been with gcw for time – yet this is a first time outing on record. worth the wait.

pura vida has been releasing some heavyweight roots albums with reggae legends lee -scratch- perry, the congos, congo ashanti roy... during these years pura vida’s composer and producer bregt -puraman- de boever has made a lot of dubversions, only a few have been released. this album has the vintage lost ark sound and presents 9 new songs + a dubversion from treat me right. it was created using a combination of old analog gear and modern day recording methods. all the dubs are live mixes using the mixer as an instrument. the magic of the moment is in every mix... lost ark studio vibrationz...

famous for their matching, colourful suits and always-happy smiles, beyaz kelebekler (white butterflies) were a mixed-gender turkish band very popular during the 70s. they released one album plus numerous 45s in turkey and other countries like holland and italy. in 1976 during the last day of their european tour, just after one gig in cologne, beyaz kelebekler visited a studio of a friend which was still in construction. they decided to record a few songs, just for fun and for testing the new studio equipment. it was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine. the result was an amazing example of anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals. unreleased until now, here is the first ever release of these surprising recordings, rescued from the only surviving cassette tape.

this wonderful, balearic tinged disco rarity is getting the official reissue treatment finally! nicolette larsons lotta love has long been a sought after jam, with the promo only 12inch version changing hands for big dough! mixed by the legendary florida born and nyc dwelling mixer and dj extraordinaire jim burgess, this one straddles that gorgeous line of being a bit rock (neil young wrote the track) and totally disco in all the right ways. a truly sweet slice of music here backed with a nice cover of sam cooke s classic standard you send me . often bootlegged, there s been some shoddy facsimiles kicking around over the years this high quality, official, 100% legit reissue has been lovingly remastered by above board distribution in conjunction with warner brothers from the master tapes. what more can you ask for? this 2018 repress is a reproduction of the 1978 wb promo only 12inch complete with warner brothers artwork. essential business.

hugh ‘redman’ james is one of the greatest jamaican music producers of the late 1980s. raised in a musical household in the west kingston slum of hannah town, with his mother a sound system selector, redman gained his initial schooling in the music business from none other than king tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. after being immersed in sound system culture during his youth in the 1960s and 70s, redman began sitting in on sessions at king tubby’s studio, but migrated to hartford, connecticut in 1978 in search of steady employment. returning to jamaica a few years later, he established a popular sound system in kingston and began producing music with king tubby’s assistance in 1985, working with the roots radics during a time of great uncertainty in jamaican music, as the new dancehall style came to prominence, early work featured gregory isaacs, sugar minott and frankie paul, as well as rising stars such as little john and horace martin. then, following the computerisation of dancehall, redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included steely and clevie, augmented by members of the browne bunch and other players. redman helped establish a number of total unknowns in this era, including carl meeks, dave bailey and wayne palmer, and became a serious contender for king jammy’s crown. but the producer was ultimately frustrated by the dramatic changes to sweep jamaican music in the early 1990s, and subsequently retreated from the music industry redman international dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

the reverend eddie bones is the esteemed american composer, pianist and instrument builder cooper-moore’s collaboration with the songwriter and artist ed pettersen. these two fresh interpretations of gospel songs are both featured in the new norwegian tv thriller pilot “the green jersey” which is directed by Øystein karlsen, the cult director of dag, lilliehammer, and was recently broadcast twice in norway.
no.2 in the valve mastered sevens series.
collectable, unique, supreme quality - this ever expanding series of carefully curated 7-s takes in cult heroes, underground gems, future stars - a true treasure trove of delights to explore in gearbox’s homage to the humble 45. expect direct-to-disc cuts, groundbreaking recording techniques, one-off collaborations.... all connected in one significant way: the purity, warmth and luxuriousness of an all-valve signal chain.
these valve mastered recordings feature gearbox’s vintage decca valve mixer in association with their haeco scully lathe with westrex ra1700 series amps, westrex 3diia cutting head, and telefunken u73b tube limiter.

nach zahlreichen reissues seiner werke auf all saints, glitterbeat, light in the attic, stones throw und soul jazz records begab sich electronic-mystiker laraaji im august 2016 wieder ins studio, um mit engineer davey jewell (flaming lips, peaking lights) und mixer carlos nino (leaving records) gleich zwei neue alben aufzunehmen (letzterer wird ihn auch auf seiner neuen live-tour begleiten). -sun gong- besteht aus zwei längeren drone-epen und erscheint vorab als limitierte lp auf klarem vinyl, bevor dann zwei wochen später das hauptalbum -bring on the sun- als doppel-lp.

industry veteran paolo martini is next to join the emerald city family with red rocks. bringing the funk, he delivers a solid two-track release with irresistible groove and dance-floor disco heat. paolo martini has been in the business for over 30 years, first releasing with gianni bini on various labels such as defected, strictly rhythm, universal, azuli and nervous. they soon established their own label ocean trax and handled remixes of kylie minogue and jamiroquai. paolo has also been testimonial for several clothing brands including diesel and adidas and also the rane mp2015 mixer. his following co-productions can be found on acclaimed labels such as hot creations, snatch!, moon harbour, 8bit, saved and cecille amongst many others. 2017 starts the beginning of a new adventure with a string of releases geared up under his new solo project.

nach zahlreichen reissues seiner werke auf all saints, glitterbeat, light in the attic, stones throw und soul jazz records begab sich electronic-mystiker laraaji im august 2016 wieder ins studio, um mit engineer davey jewell (flaming lips, peaking lights) und mixer carlos nino (leaving records) gleich zwei neue alben aufzunehmen (letzterer wird ihn auch auf seiner neuen live-tour begleiten). sun gong- besteht aus zwei längeren drone-epen und erscheint vorab als limitierte lp auf klarem vinyl.

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. now let’s discover the dub version of ennenne. dub is a unique discipline. a strange and sometimes unpredictable music practice. it was just after the release of ennenne that we decided to take back the multi track recordings and start to rework the music through the mixer. in order to give a new shape to the project, we thought it was a good idea to invite some of the best producers and musicians on the dub scene. following a very natural process, our vision began to take the shape of an international all star event, including contributions from historical dub artists such as adrian sherwood, lee scratch perry, dennis bovell, and actual celebrities of today such as gaudi, vibronics, manasseh, khalab & messmorize, and mario conte one the most interesting producers on the italian experimental scene. a bunch of old and new friends with whom we share the same vision.

there are not many conventional rules in the world of dutch dj/producer dj marcelle/another nice mess, or they have to be her own, but which she is more than happy to break at any time she fancies. for the past 15 years she has been travelling around europe and beyond, playing her brave three turntable sets in front of often both stunned, surprised and euphoric audiences. she is an original, skilled mixer, with a very distinctive style of her own, avoiding most dj-cliches and stale rules.

il bosco is back on wax! better late than never - this one s been in the mixer, the blender and on the shelf for months or even years! the red laser masterblaster comes very correct collaborating along the way with manc label comrades metrodome & starion. mind melding synth jizz is combined with electro chicanery & spicy dub aesthetics. 100% rave tested from manchester to berlin to anglesey. limited to 150. hand stamped labels and theory insert from il bosco.

unter dem titel “new skin” erscheint das langerwartete debütalbum von jones via 37 adventures. jones, die bürgerlich cherie jones heißt, perfektioniert auf ihrem erstlingswerk das zusammenspiel von melancholie und euphorie, den einklang von elektronischen und organischen sounds, gepaart mit feinsten pop-elementen. die 25-jährige londonerin arbeitete bei den aufnahmen zu “new skin” mit großen studiotalenten zusammen wie lana del rey kollaborateur justin parker, savages produzent sowie the xx mixer rodaidh mcdonald, sam smith co-texter tourist, two inch punch, xo, oceaan, a.k. paul und honne.
die vinyl-lp erscheint inklusive downloadcode.

4 techno tracks live recorded straight from the stereo bus of the mixer, full analog, fully effective and raw as fuck. much in the early 90’s jeff mills and downwards school plus a touch of psychedelia. korg ms20 for basses, some analog strings, arp odissey for evolving lead ton of overdrive, driving distorted beats and a touch of reverb, no special effects nothing superfluous, no kisses straight in!
format: 12- vinyl only limited 300 copies.
white label record with label stamp on one side. the record is packaged in both a generic inner sleeve and a generic outer sleeve. the generic outer sleeve has a different stamp on each side. one of these stamps also includes information about the record including artist, title, tracklist, mastering, distribution, label, year and catalog number.

the florida based brookside imprint have dug deep into the philly master tapes and let nyc master-mixer mike maurro loose on a couple of stone cold classics from the catalog!

french producers dj deep and traumer pair up for their debut on radio slave’s rekids. a key component in parisian techno since the ‘90s, dj deep’s influence is indisputable whether it’s helming deeply rooted house records, launching his own rotary dj mixer series or his numerous appearances on tresor records alongside gettraum founder roman poncet, who appears on this release as traumer. ‘la valle la b’ comes in three forms. the ‘la deep mix’ is an echoing number complete with rhythmic percussion and rumbling bass, whilst ‘la slave mix’ is a glitchier alternative featuring various subtle nuances and otherworldly atmospherics. finally ‘la spicy mix’ concludes the package with a focus on piercing synths and a compelling groove.

hailing from florida, the brookside imprint have dug deep into the master tapes and let nyc master-mixer mike maurro loose on a couple of stone cold classics! maurro, a queens based dj and mixer since 1986 has become one of the top remixers out there today with his own, faithful takes on numerous dance classics from the last 30+ years. here he lends his magic touch to a pair of well loved club classics while adding his own original flavour. dan hartman s -vertigo/relight my fire- is up first on side-a, featuring the unmistakable vocals of nyc diva loleatta holloway. maurro s mix brings the vocals in earlier, dubbing them out creating a super trippy atmosphere with a slightly different musical arrangement over the course of almost 14 minutes! on side-b, we have the legendary evelyn -champagne- king s -shame-, with a slightly longer, beat led intro for the dj s. a true extended mix with a slightly different arrangement maurro s mix of this classic is a killer. beautifully faithful and mixed with love and an understanding of the dancefloor and the classics! these mixes are essential for any disco/soul/funk fans out there, unmissable for the dj s, legitimately remastered and pressed onto high quality 12- singles in conjunction with all rights holders

rupert clervaux ist ein musiker, komponist und engineer, der zur zeit mit künstlern wie sian alice group, new build oder alice group arbeitet und dessen credits als mixer für labels wie treader, otoroku, matchless & fataka umfassen. beatrice dillon ist eine komponistin, performancekünstlerin und dj mit compilations auf the trilogy tapes und public information. das album -sudies i-xvii- ist eine sammlung an kurzen, reduzierten und rhythmischen stücken, die mit live-instrumenten, samples von live-instrumenten und computern eingespielt und zu einem intuitiven set zusammengestellt wurden. die kompositionen sind inspiriert von weltmusik, free jazz, bismallah khan, keith hudson, xenakis, reich und pierre schaeffer.

deep beats from londons emotion. techno , acid , deep house flavors. limited edition coloured 12 inch vinyl

a master of many genres, and mixer of all styles,cheeky d has rapidly become one of south africans most sought-after dance brands. hes featured alongside top international artists, as well as the best of south africans talent pool.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

solar activity on dikso ! label boss daniel solar returns with a new ep and some helping hands from stee downes on the mic, florian kruse & nils nuernberg with the mixer and berlin homie mario aureo on the composition. the tracks are ranging from disco to house, from mild to wild and should keep the audience from start to finish.

new misterious italian label. ltd hand numbered copies, 100 percent analog produced, vintage mixer, tape recording and vinyl only of course

slamming disco edits at it best, huge dj support: danny krivit, late nite tuff guy, ashley beedle, rayko ...
derek kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. prior to this, with dj equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. his work soon grew in sophistication and a new console was built, with his schoolmate, greg wilson, buying derek s old rig, thus beginning his own well-documented dj career.

the debut album from italian producer nick anthony simoncino. produced exclusively on analog hardware and recorded to an old cassette tape. this l.p is simoncinos ode to early chicago dance traxxxs. closing out the l.p is a very special 13min remix from one of house musics legends, mr larry heard. timeless house music presented in its most organic form. equipment used. drum machines: casio rz-1, roland tr707, roland tr727, roland tr606, roland tr808 & roland tr 909 samples, not original machine. synthesizers: roland juno 106, korg dw-6000, roland juno 60, roland d-50, yamaha dx21, roland jx-8p, ensoniq esq-1. tape recorder: fostex x-28h. mixer: proel m16

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

tj hertz he has a white label unknown objekt. from below as if the body is muscular rock sound, the words of the author’s case, dub step, three steps are a complex mixture of core and base, garage, techno. record during 28 months, hessle audio, including obtaining support from the scuba and surgeons, aphex twin, james ruskin, release the forefront of the techno / electronica scene, in the presence mysterious, and the label is. in addition, the top clubs such as fabric, such as radiohead sbtrkt work and nun or a mixer containing a book and berghain has been steadily eroded the deepest part of the scene is employed as. his name, the founder of a leading car rental company, or unit of frequency cited physicists in the mystical setter for a feature not leave a name, tj hertz. doberman, writing for himself while living in retirement in the body that is born in japan and raised in the uk, now in the outskirts of berlin, came from a magazine interview requests all 100 dj mag special million euros was more interested in the beginning with no offers, he said, the behavior is earnestly devoted to the basement

eclipsemusic is pleased to announce the sixth release introducing the talented canadian producer matt thibideau. he is known in toronto, detroit, montreal, & berlin for having performed with the ikes of mike huckaby, akufen, richie hawtin andreleasing music on labels such as mike shannons cynosure and sub-static with hisnew wave-industrial band repair.. matt has a very personal approach to making music that refuses to use software instruments and give free expression to his unlimited passion for the sound of his analog synthesizers. he records directly through a mixer playing his live instruments. this particular feature shines through his deep and warm sound! >when its time< is a typical techouse style track with a solid structure consisting of a straight and bouncy rhythm, deep bass with futuristic chords and techy arpeggiators running over it. the track starts very deep develops into a more raw sound that leaves no survivors on the dance floor! >holding on to you< is a much more dub-oriented track this time we have ambient and rarefied atmosphere which develops progressively over a repetitive bass line and drum machine rhythm with a mixture of chords and pads typically inspired by the basic channel sound. the title track >night drive< (licensed from matts obsolete components record label) is a masterpiece of deep house music vaguely reminiscent of many mid-nineties works from labels like guidance recordings and wave music, that will become an instant classic for all deep-house heads. very melodic and groovy bass line with a mixture of pads, reverberated chords and many delayeffected elements. 7 minutes of pure deepnes

nice mixer styled bag with a great fotoprint... fits also for some 12 inch vinyl, but great for every day too... cool size 45cm x 18cm x 30 cm

the brilliantly monikered big strick - familial elder to omar s and responsible for the odd killer release on his younger cousins fxhe imprint - belatedly sates the appetite of record collectors keen to indulge in his recent album detroit heat with a six track selection of the choicest cuts spread across this twelve inch. seemingly drawing influence from a myriad of motor city influences, detroit heat impressively flits between murky deep house, tracky techno and hypnotic jack-tracks. like many of his contemporaries, strick is a sucker for cement mixer production - that distinctly detroitian sound where every beat, groove or bassline sounds like the master tapes have been marinated in grit. that trademark sound, alongside a solid selection of floor-friendly grooves, makes detroit heat an excellent addition to the motor city house canon. the rubbery spinal atmospherics of >under tone< and the tony coates vocally assisted jack of >maybe 1 day< are particular highlights!

reloop play audio-interface 4x out audio-interface mit professioneller 24-bit soundqualität reloop play bietet dank seiner durchdachten anschlussmöglichkeiten 2 play-modes. zum einen gibt es den external mixer mode: hier ist es möglich 2 getrennte stereo-kanäle auf ein externes mischpult zu routen dieser modus wird professionelle traktor-user freuen. der zweite modus ist der sogenannte controller mode: in diesem fall wird ein master-ausgang zur anlage geroutet und ein kopfhörer kann direkt am interface angeschlossen werden dieser modus ist besonders für laptop-djs ohne weitere hardware geeignet. die lautstärke beider stereo-kanäle lässt sich komfortabel durch getrennte regler justieren. ausstattung: hi-speed usb 2.0 mit low latency asio/core audio-treibern 2x stereo cinch (rca) out, 1x stereo kopfhörer-anschluss auf 6.3 mm signal-status leds zur direkten, visuellen Überwachung getrennte lautstärkeregler für channels 1 und 2 bzw. master und kopfhörer diebstahlsicher: kensigton-lock. lieferumfang: asio-treiber cd, usb-kabel. systemvoraussetzungen: kompatibel mit mac osx® und windows® xp/windows vista.

macro greets rhythmic expressionism: stefan goldmann’s “the grand hemiola” is the first real innovation in the vinyl format in years! 144 locked grooves build a toolkit that breaks out of the limitation of one 4/4 cycle and brings unique possiblities to create complex polyrhythms just with two decks and a mixer. stefan goldmann’s first ever double vinyl album is a take on the infinite possibilities of rhythmic layering. percussion-heavy, focussed on clashing metres, deeply exploring the sound set – from the orchestral “grand hemiola”, to the triplet-feel of “megi’s waltz”, from the 11/8 pattern of “double hendecagon” to the anti-loops of “away from the flock”: a unique, non-conformist album of haunted acoustics, haptic percussion and deep rhythmic expression. a true, first time invention comes on two sides of the vinyl set: “the grand hemiola” loop toolkit overcomes the time restriction of locked grooves: one record contains loops in 4/4, the other in 3/4 (employing the time differences of the rotation rates 33 and 45 rpm). in the mix, they sum up to an extended cycle of 3x 4/4 or 4x 3/4 and enable building complex “3 over 4” polyrhythms (“hemiolas”). you can mix loop into loop for hours without ever getting trapped. more than an album, this is a note: pitch down side d to approx. -1.5 to match the loops’ bpm rate on sides b & d

desksaver for your mixer, prevent for dust

form fit protetion for your allen & heath: xone 92/62 ? pioneer: cdj-2000, cdj-1000, cdj-900, cdj-800, dvj-1000, djm-800/700/600, ? denon: dn-s 3700, denon dn-x1700 ? vestax: vci-300 ? diverse 12 mixer und cd-player und viele mehr maße: 320 x 100 x 340 mmweniger

you can find normal dust everywhere, unloved and not at the right place. it settles between the breaches of your record collection, lays on top of the mixer and turntable and it drives a clean person nuts.
spielstaub (playdust) is different. it is entertaining, enjoyment and makes the people want to dance because spielstaub is about something else. it is the brand new record label of carsten schorr and zyrus.

record stereo audio directly to your ipod with protrack. capture live sound on your ipod anywhere and anytime without a single cable, and with one hand free! just dock your ipod and cover it with the protective clear shield, and you re ready to roll. you can record detailed, 16-bit, 44.1khz or 22khz stereo digital audio without connecting any additional equipment using protrack s onboard pair of cardioid condenser microphones. the on-board mics are fixed in xy configuration for optimal stereo imaging. protrack also has a pair of combo xlr-1/4 inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. whether you are running on plug-in or battery power, protrack supplies 48v phantom power to its inputs for operation with external condenser microphones

another big release for tim xavier on ltd400! tim keeps up the momentum with his next installation, featuring two floor-burning conceptual tunes. on the a side, no day like thursday is a colorful and mixable track with tims signature dark percussion, complete with a layer of manipulated, warped synthesizer pitches on top. the result resembles something like an out-of-thisworld harp, and the combination of these ideas result in a timeless, psychedelic minimal sound that makes this release unique and irresistible. the flip side is yellow corvette a nice, moody mixer with eerie vocals, chuggy percussion, and a big room bass-line

•profi-geräterucksack •gefertigt aus ballistic-nylon •led-beleuchtung des stauraumes •gepolsterte taschen für serato scratch live und kopfhörer •gepolsterte außentaschen •feuchtigkeitsabsorbierende schulterriemen •integrierte regenhaube •ergonomischer tragegriff •reißverschluss mit sicherungsschloss •individuell anpassbar für 15.4 notebooks und 12 mixer •separater stauraum für mp3-player, cds und vieles mehr •robuste gummifüße

when he isnt busy touring and recording with various artists as a session drummer (most recently with one beyonce knowles) guillaume jambel aka giom djs and produces deep house music. with only a handful of releases and remixes under his belt on labels such as amenti music, black cherry, tango, eight tracks and aroma its obvious that he is eager not too to spread himself too thinly. this makes us even more privileged to get him onto ornate music. and he certainly doesnt disappoint on blue matter ep which kicks of with bring down the walls a deep house disco builder promoting us to... you guessed it bring down the walls. with a metro area style bass line, warm keys and popping percussion this is bound to make you do exactly thatàin fact it should probably come with a public health warning. i know you were right, probably not something we say very often but here giom says it like he means with a tough kick drum, sweet seductive female vocal, bubbling bassline and a whole heap of other good stuff thrown into the mixer. this phat slab of deep house will brighten up the cloudiest of days, have a listen im sure you ll agree. hailing from brighton c soul are magnus asberg (head honcho of on the house records) and jimmy day. they have appeared on labels such as diy discs, suspect package and have also collaborated with house music legend robert owens on german label plastic city. for c souls on the house remix of i know you were right they strip it right down to the bone and produce a haunting, electronic house music rework. you know we were right!

it may have been fate that erphun s very first gig was on halloween, because his music is brooding, pounding, moody and transformative, as if from another realm entirely. his ability to build a mood is mesmerizing and transports the listener to that alternate spiritual level that his moniker infers. having spun around california with residencies for naked, flirt and hotel california and playing at 1015 folsom (san francisco), sevilla (las vegas), broadway (san diego), voodoo lounge (las vegas), risqu (las vegas, new year s eve 2004), and the shelbourne hotel (miami, winter music conference), erphun began to make his mark. erphun s music has been spun in clubs all over the world and is succinctly summed up by steve lawler as a deep, dark and underground unique sound that trademarks his pieces. with early releases on ingrooves, and ascension records followed by releases on viva music oliver klein s mutekki and audio therapy, his name is now instantly recognizable among the tech-house, minimal, techno world of spinning producers who globe trot his compositions to be dropped on every conceivable audience. the reaction of the listener to his slow, driving builds that weave between the almost symphonic-like movements of each of his pieces is always jaw dropping and is usually followed by an exclamatory siiiiiick! . erphun is also a highly sought after re-mixer for artists who want to hear the 4am version of their pieces. the only way to really experience this immense talent is to see him in action. a night of erphun s making heightens the listener s musical aesthetic and aurally illustrates his personal musical vision

after 9 successful years and 36 releases on their label >festplatten<, the teichmann brothers are already unleashing their third release, transistor vamp, on their new artist label teichtracks. true to the motto of the tt-series this offspring of analogue machinery is also designated for the dancefloor. the title track is a 12 minute trip, an unstoppable modulating organism from the deepest depths that subtly and powerfully creeps forth. you smell the greasy oil of detroit, you inhale the dusty air of berlin and when you open your eyes, the next day has already begunà here, the past is just as present as the present. deja-vu? or did transistor vamp already infect you during one of the brothers many live sets? those who turn the record over will find, alongside a condensed 7 minute edit of the title track, another independent micro organism. micro is a game of rhythm and bass, reduced to the very essence of groove. a poker face of a track whose accumulative tension spans 6 minutes. like a balloon filled to bursting it knows how to stretch its limits and, without badding an eyelid, it waits for the explosion. minimal? of course! but here you can still hear the groan of the mixer and effects!

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

frog meets fink for some fakking funk! they put beastie boys, tom jones and ??? into the mixer, add some polkabeats, broken madness and a good dose of evil laughter and end up with us rolling on the floor!

new kanada enters the year of darkness with two cuts of techno that go straight for the throat. raw house music for mixers, jackers, and people of ill repute everywhere. side a features a slamming remix of murr’s “stay” track by adam marshall. murr’s original moog bassline gets jacked into a dj-friendly mix weapon of the highest calibre. 10+ minutes of erratic hats, swung snares and some weird noises that would do octave one proud. sibe b is a homage to our favourite analog mixer of days gone by - the numark dm1950. mood edit embraces the chaos of chicago house, and the class of new york city in this long playing dub tool that will be sure to evoke fear in the legs - and passion somewhere inbetween. complete with off kilter bassline, counterpoint bump, and a long deep mix for the heads.

after the resounding success of lunarjam001 the leeds based lunar cadets ticker & cristoidz return with some seriously out there, and rare as roast beef edits for your late night perusal. their first release flirted and got frisky with hott city, loveride and david byrne and put them through the lunar jam cosmic mixer. they have forsaken such formalities with this release though, and have unearthed four tracks from even deeper and darker corners of their collections, and given them a serious going over. already garnering much support from such balearic luminaries as prins thomas & moonboots as always, limited to initial press only polysleeve and photocopied inlay!

dank der klebefläche lassen sich so überall cds abnehmbar befestigen. auch super am mixer festzuklebe, so können zu spielende cds schonmal vorab sortiert werden, ohne zu zerkratzen.